KABAR DARI SUBANG

Jakarta - Seiring dengan makin mendekatnya kiamat siaran TV analog pada 2 November 2022, masyarakat mulai berbondong-bondong mencari perangkat set top box (STB). Jangan salah beli, ingat ini ada 70 daftar set top box TV digital yang tersertifikasi Kementerian Komunikasi dan Informatika (Kominfo).

Ke-70 STB tersertifikasi Kominfo itu berasal dari berbagai merek dan tipe/model, seperti produksi dari Akari, CBM, Evercoss, Ichiko, Matrix, Nexmedia, Nextron, Polytron, Tanaka, hingga Venus.

Mengingat peran STB sangat penting agar perangkat televisi analog yang dimiliki masyarakat saat ini masih bisa menangkap siaran TV digital ketika Analog Switch Off (ASO) berakhir beberapa bulan lagi.

Baca artikel detikinet, "Mau Beli Set Top Box TV Digital? Jangan Salah Beli, Ini Daftarnya" selengkapnya https://inet.detik.com/law-and-policy/d-6297684/mau-beli-set-top-box-tv-digital-jangan-salah-beli-ini-daftarnya.

"Setiap perangkat televisi digital dan dekoder set top box DVB-T2 yang diperdagangkan, dibuat, dirakit, dimasukkan dan atau digunakan di wilayah Negara Republik Indonesia diwajibkan untuk memperhatikan persyaratan teknis dan berdasarkan izin sesuai peraturan perundang-undangan," tulis Kominfo.

Persyaratan teknis TV digital dan set top box diatur dalam Peraturan Menteri Komunikasi dan Informatika Nomor 4 Tahun 2019 tanggal 28 Juni 2019 tentang Persyaratan Teknis Alat dan/atau Perangkat Telekomunikasi untuk Keperluan Penyelenggaraan Televisi Siaran dan Radio Siaran.

Daftar Set Top Box (STB) Tersertifikasi Kominfo Terbaru 2022

Nomor

Merek Set Top Box

Model/Jenis Set Top Box

1 Advan DVB-10KK

2 Akari ADS-2230

3 Akari ADS-210

4 Akari ADS-186

5 Akari ADS-168

6 Akari ADS-525

7 Aldo AB3

8 Aldo STB 03

9 CBM SEI130LN

10 CBM DTP2162

11 CBM CBM91T

12 CBM CBM91TH

13 CBM BSTB-2201

14 Crenova S-1807

15 Erza Genesis

16 Evercoss STB1

17 Evercoss STB Mini

18 Evercoss STB Pro

19 Evercoss STB Max

20 Evenix H-1

21 Freebox H-1

22 Goldstat Sonic

23 Goldstat Revo

24 Ichiko 8000HD

25 Infico ITB-202

26 Inti 1407

27 Iota Omega

28 Kubik Arca DVB-T2

29 Luby Digitant

30 Matrix Apple DV21P

31 Matrix Apple DV-T2

32 Matrix Apple DVB-T2 Silver

33 Matrix Apple DVB-T2 Kuning

34 Matrix CH-77

35 Matrix Garuda DV-T2

36 Modibox PD-101

37 Myvo Star-01

38 Next TV G-1

39 Noise Diamond

40 Nexmedia NA1300/DVB-T2 MPEG4 HD

41 Nextron NT2000-D

42 Nextron TR 1000

43 Nextron Vicson 2000

44 Polytron PDV 600T2

45 Polytron PDV 600T2

46 Polytron PDV 700T2

47 Sharp STB-DD001I

48 Signal Viewer SVSETB01

49 Super HD HD 168

50 Super HD HD 168 Gol

51 Tanaka T2

52 Tanaka T2 Sniper

53 Tanaka T2 Jurassic

54 Tanaka T2 New

55 Tanaka T-21 New Sakura

56 Tanaka T-21 New Samurai

57 Tanaka T-21 Spider

58 Tanaka T-21 Elang

59 Tanaka Nusantara

60 Tennox HD-9000

61 Unicom Apollo

62 Varwin T1

63 Venus Brio

64 Venus Cabai Rawit

65 Visio HS1685

67 Vitara VTR-218T2

68 Welhome Crown

69 Winasat HD-88 N

70 Zyrex Zbox

KOMPAS.com – Kehadiran kamera pada ponsel menumbuhkan genre baru di dunia fotografi, yakni mobile photography. Seiring perkembangan teknologi, hasil jepretan pencinta mobile photography tidak dapat dianggap sebelah mata. Bahkan, hasil foto mereka sudah bisa disandingkan dengan fotografer yang menggunakan kamera digital single lens reflex (DSLR). Hal tersebut tak lepas dari inovasi teknologi yang dihadirkan pada kamera smartphone. Sebagai contoh, teknologi artificial intelligence (AI). 

Berkat teknologi kecerdasan buatan, kamera pada smartphone dapat menghasilkan foto yang jernih, tajam, dan detail. Adapun teknologi AI disematkan di sejumlah fitur fotografi pada smartphone terkini. Bila ingin menekuni mobile photography atau membuat konten video, kamu perlu melengkapi diri dengan smartphone yang dilengkapi 5 fitur fotografi berikut. 

1. Selfie HDR Smartphone terkini biasanya sudah dibekali kamera depan beresolusi tinggi untuk menunjang aktivitas swafoto atau selfie. Meski demikian, kamera tersebut belum cukup untuk menghasilkan swafoto jernih dan detail. Kamu perlu pula memperhatikan fitur Selfie HDR pada smartphone. Baca juga: Oppo Reno7 Resmi Dirilis, Hadirkan Kamera dengan Sensor IMX709 dan Desain Klasik Kulit Fiberglass Fitur tersebut telah dilengkapi teknologi AI yang dapat menyesuaikan subyek foto dan lingkungan sekitar. Fitur Selfie HDR dapat mengoptimalkan kecerahan hasil foto secara otomatis, terutama saat berswafoto dengan latar cahaya kuat ataupun minim. Dengan demikian, foto selfie yang dihasilkan pun menjadi lebih jelas. 

2. Bokeh Flare Portrait Fitur berikutnya adalah Bokeh Flare Portrait. Fitur ini merupakan favorit pencinta foto bokeh. Pasalnya, melalui fitur tersebut, fotografer sudah bisa membuat foto bokeh selayaknya menggunakan kamera DSLR. Hasil foto bokeh didapat dengan memanfaatkan kecerdasan buatan yang disematkan pada fitur tersebut. Saat memotret, algoritma AI akan memisahkan subyek foto dengan latar belakang. Lihat Foto Hasil Foto Oppo Reno7 dengan Bokeh Flare Portrait.(DOK. Oppo Indonesia.) Subyek foto dipotret secara detail dan tajam. Sementara itu, latar belakang dibuat kabur menjadi bola-bola cahaya oleh AI. Alhasil, foto bokeh yang indah pun bisa diciptakan melalui kamera smartphone. 3. Portrait Retouching Pencinta foto model wajib memperhatikan keberadaan fitur Portrait Retouching saat memilih smartphone untuk mobile photography. Sebab, fitur ini bisa mendeteksi lebih dari 390 titik deteksi wajah pada subyek foto yang dapat memperindah wajah subyek foto secara alami dan tidak berlebihan. 

Baca juga: Varian Oppo Reno7 yang Tidak Masuk Indonesia Dengan begitu, foto model yang dihasilkan menjadi lebih “cantik”. Potensi kecantikan subyek foto pun bisa ditampilkan tanpa kentara seperti hasil editing. Portrait Retouching bekerja dengan memperbaiki warna kulit atau riasan. 

Fitur ini juga dapat melakukan penghapusan noda pada wajah, seperti noda bekas jerawat. 4. Ultra-Clear 108MP Fitur Ultra-Clear 108MP juga wajib ada di smartphone yang digunakan untuk mobile photography. Melalui fitur berteknologi AI tersebut, kualitas foto yang dihasilkan dapat detail dan tajam. Fitur tersebut bekerja dengan melakukan penyesuaian pada setiap lapisan gambar sampai satuan terkecil subpiksel untuk koreksi warna, ketajaman, pengurangan noise, serta dynamic range. 

Saat diperbesar beberapa kali, foto tetap tajam dan detail, tanpa blur atau pecah. Karena tidak pecah saat diperbesar dan memiliki ukuran jumbo, hasil foto melalui fitur tersebut cocok untuk dicetak pada media berukuran besar, seperti spanduk, baliho, serta billboard. 5. Microlens Fitur lain yang tak boleh dilewatkan adalah Microlens. Fitur ini memungkinkan penggunanya dapat merekam dunia mikroskopis melalui perbesaran 15 hingga 30 kali. Salah satu smartphone yang memiliki fitur Microlens untuk mengambil gambar makro adalah Oppo Reno7. Saat fitur Microlens diaktifkan, smartphone teranyar Oppo tersebut akan menampilkan skala milimeter secara otomatis pada layar untuk membantu pengguna memahami lebih baik perspektif baru dunia mikro.

Lihat Foto Hasil jepretan kamera makro menggunakan Oppo Reno7. (DOK. Oppo Indonesia.) Selain itu, fitur Orbit Light yang mengelilingi Microlens juga akan menyala. Orbit Light berfungsi memberi pencahayaan untuk menghasilkan gambar yang terang secara merata. Seperti diketahui, fotografi makro membutuhkan cahaya terang. 

Orbit Light mampu menerangi obyek sehingga lebih mudah difoto dalam skala milimeter. Selain itu, Orbit Light didesain dengan bentuk bulat untuk membantu pengguna lebih fokus ke obyek saat melakukan foto makro. Itulah lima fitur fotografi yang harus ada pada smartphone terkini untuk kebutuhan mobile photography. 

Semua fitur tersebut terdapat pada Oppo Reno7. Untuk melengkapi kelima fitur fotografi tersebut, Oppo Reno7 juga sudah dibekali fitur Ultra-Sensing Selfie melalui sensor IMX709 hasil kolaborasi Oppo dengan Sony. IMX709 memiliki sensor red, green, blue, dan white (RGBW) dengan algoritma quadra binning hasil pengembangan Oppo. Lewat sensor ini, Oppo Reno7 mampu menangkap 60 persen lebih banyak cahaya ketimbang sensor red, green, and blue (RGB). Sensor tersebut juga dapat membantu mengurangi gangguan saat pengambilan foto dan video selfie hingga 35 persen. 

Dengan demikian, hasil jepretan gambar menjadi lebih jelas dan cerah, meski pada kondisi minim cahaya. Kehadiran sensor IMX709 pada kamera swafoto beresolusi 32 megapiksel (MP) itu pun semakin mempertegas keandalan kamera depan Oppo Reno7. Lihat Foto Desain kamera Oppo Reno7 dengan Orbit Light.(DOK. Oppo Indonesia.) Untuk kamera belakang, Oppo Reno7 dibekali tiga kamera dengan konfigurasi kamera utama 64 MP, kamera mikro 2 MP, dan kamera makro 2 MP. Selain unggul pada aspek kamera dan fitur fotografi, Oppo Reno7 juga membawa berbagai keunggulan lain. Dari segi desain, smartphone ini hadir dengan bentuk ultraramping dan klasik berkat penggunaan fiberglass leather design. Hal ini membuat Oppo Reno7 nyaman saat digenggam. Selanjutnya, Oppo Reno7 dibekali layar AMOLED berukuran 6,4 inci dengan refresh rate 90 hertz (Hz) dan sampel sentuh (touch sampling rate) 180 Hz. Spesifikasi ini mampu menghasilkan respons tinggi dan scrolling yang lebih mulus. Untuk dapur pacu, Oppo Reno7 dibekali prosesor Qualcomm Snapdragon 680 4G. Sementara di aspek memori, Oppo Reno7 memiliki random access memory (RAM) 8 gigabita (GB) dengan opsi ekspansi hingga 5 GB dan ruang penyimpanan data internal sebesar 256 GB. 

Dengan spesifikasi tersebut, Oppo Reno7 dapat melakukan berbagai aktivitas, mulai dari bermain game, multimedia, serta multitasking. Oppo Reno7 memiliki kapasitas baterai sebesar 4.500 miliampere per hour (mAh). Baterainya dibekali dengan teknologi pengisian daya cepat 33 watt (W) SuperVOOC.

The old man peered from under his green leaf at the danger, and stood as quietly as the boy. For a few seconds this mutual scrutinizing went on; then, the bear betraying a growing irritability, the boy, with a movement of his head, indicated that the old man must step aside from the trail and go down the embankment. The boy followed, going backward, still holding the bow taut and ready. They waited till a crashing among the bushes from the opposite side of the embankment told them the bear had gone on. The boy grinned as he led back to the trail.

"A big un, Granser," he chuckled.

The old man shook his head.

"They get thicker every day," he complained in a thin, undependable falsetto. "Who'd have thought I'd live to see the time when a man would be afraid of his life on the way to the Cliff House. When I was a boy, Edwin, men and women and little babies used to come out here from San Francisco by tens of thousands on a nice day. And there weren't any bears then. No, sir. They used to pay money to look at them in cages, they were that rare."

"What is money, Granser?"

Before the old man could answer, the boy recollected and triumphantly shoved his hand into a pouch under his bear-skin and pulled forth a battered and tarnished silver dollar. The old man's eyes glistened, as he held the coin close to them.

"I can't see," he muttered. "You look and see if you can make out the date, Edwin."

At the next halt Hooja the Sly One managed to find enough slack chain to permit him to worm himself back quite close to Dian. We were all standing, and as he edged near the girl she turned her back upon him in such a truly earthly feminine manner that I could scarce repress a smile; but it was a short-lived smile for on the instant the Sly One's hand fell upon the girl's bare arm, jerking her roughly toward him.

I was not then familiar with the customs or social ethics which prevailed within Pellucidar; but even so I did not need the appealing look which the girl shot to me from her magnificent eyes to influence my subsequent act. What the Sly One's intention was I paused not to inquire; but instead, before he could lay hold of her with his other hand, I placed a right to the point of his jaw that felled him in his tracks.

A roar of approval went up from those of the other prisoners and the Sagoths who had witnessed the brief drama; not, as I later learned, because I had championed the girl, but for the neat and, to them, astounding method by which I had bested Hooja.

And the girl? At first she looked at me with wide, wondering eyes, and then she dropped her head, her face half averted, and a delicate flush suffused her cheek. For a moment she stood thus in silence, and then her head went high, and she turned her back upon me as she had upon Hooja. Some of the prisoners laughed, and I saw the face of Ghak the Hairy One go very black as he looked at me searchingly. And what I could see of Dian's cheek went suddenly from red to white.

Immediately after we resumed the march, and though I realized that in some way I had offended Dian the Beautiful I could not prevail upon her to talk with me that I might learn wherein I had erred—in fact I might quite as well have been addressing a sphinx for all the attention I got. At last my own foolish pride stepped in and prevented my making any further attempts, and thus a companionship that without my realizing it had come to mean a great deal to me was cut off. Thereafter I confined my conversation to Perry. Hooja did not renew his advances toward the girl, nor did he again venture near me.

Again the weary and apparently interminable marching became a perfect nightmare of horrors to me. The more firmly fixed became the realization that the girl's friendship had meant so much to me, the more I came to miss it; and the more impregnable the barrier of silly pride. But I was very young and would not ask Ghak for the explanation which I was sure he could give, and that might have made everything all right again.

On the march, or during halts, Dian refused consistently to notice me—when her eyes wandered in my direction she looked either over my head or directly through me. At last I became desperate, and determined to swallow my self-esteem, and again beg her to tell me how I had offended, and how I might make reparation. I made up my mind that I should do this at the next halt. We were approaching another range of mountains at the time, and when we reached them, instead of winding across them through some high-flung pass we entered a mighty natural tunnel—a series of labyrinthine grottoes, dark as Erebus.

The guards had no torches or light of any description. In fact we had seen no artificial light or sign of fire since we had entered Pellucidar. In a land of perpetual noon there is no need of light above ground, yet I marveled that they had no means of lighting their way through these dark, subterranean passages. So we crept along at a snail's pace, with much stumbling and falling—the guards keeping up a singsong chant ahead of us, interspersed with certain high notes which I found always indicated rough places and turns.

Halts were now more frequent, but I did not wish to speak to Dian until I could see from the expression of her face how she was receiving my apologies. At last a faint glow ahead forewarned us of the end of the tunnel, for which I for one was devoutly thankful. Then at a sudden turn we emerged into the full light of the noonday sun.

But with it came a sudden realization of what meant to me a real catastrophe—Dian was gone, and with her a half-dozen other prisoners. The guards saw it too, and the ferocity of their rage was terrible to behold. Their awesome, bestial faces were contorted in the most diabolical expressions, as they accused each other of responsibility for the loss. Finally they fell upon us, beating us with their spear shafts, and hatchets. They had already killed two near the head of the line, and were like to have finished the balance of us when their leader finally put a stop to the brutal slaughter. Never in all my life had I witnessed a more horrible exhibition of bestial rage—I thanked God that Dian had not been one of those left to endure it.

"Did I not tell you that we of the ruling class owned all the land, all the forest, everything? Any food-getter who would not get food for us, him we punished or compelled to starve to death. And very few did that. They preferred to get food for us, and make clothes for us, and prepare and administer to us a thousand—a mussel-shell, Hoo-Hoo—a thousand satisfactions and delights. And I was Professor Smith in those days—Professor James Howard Smith. And my lecture courses were very popular—that is, very many of the young men and women liked to hear me talk about the books other men had written.

"And I was very happy, and I had beautiful things to eat. And my hands were soft, because I did no work with them, and my body was clean all over and dressed in the softest garments—

"He surveyed his mangy goat-skin with disgust.

"We did not wear such things in those days. Even the slaves had better garments. And we were most clean. We washed our faces and hands often every day. You boys never wash unless you fall into the water or go swimming."